In one my favorite June and Art letters, my mother said, "I must be a very musty character, liking museums like this."
Like mother, like son. I love museums. I hate to think that means I'm a very musty character, but I guess there's a chance.
Portrait of Dr. Samuel D. Gross (The Gross Clinic), 1875. Thomas Eakins, American, 1844-1916. Oil on canvas, 8 feet x 6 feet 6 inches. Image courtesy of the Philadelphia Museum of Art. |
Through January 9 (so you’d better rush out there!), the Philadelphia Museum of Art is celebrating the conservation treatment of Thomas Eakins’ monumental painting The Gross Clinic in a special exhibition in the
I decided to make the story of the conservation of The Gross Clinic a touchstone for a two-week exploration of the care and treatment of oil paintings. Some friends at the Philadelphia Museum of Art have volunteered to help me out with advice along the way.
Much as I like The Gross Clinic (and I like it very, very much!), I thought I’d start by sharing my long-term favorite painting at the Philadelphia Museum of Art. It’s a painting that has also benefited from a major conservation treatment (back in the early 1990s in this case). This is Rogier van der Weyden’s 15th century masterpiece Crucifixion with the Virgin and Saint John:
Just wanted an excuse to share that! On Wednesday, we’ll return to the real matter at hand, Eakins’ The Gross Clinic and the proper care and conservation of oil paintings.
Just wanted an excuse to share that! On Wednesday, we’ll return to the real matter at hand, Eakins’ The Gross Clinic and the proper care and conservation of oil paintings.
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